"Tomato, Tomato!"| EP.20

On this episode of 808’s & Convo, Emo G dives into a mix of hip-hop legacy, New York politics, and the unpredictable world of celebrity culture.

First up, rumors are swirling that JAŸ-Z may have quietly locked down two full weeks at Barclays Center to celebrate the 30th anniversary of his legendary debut album Reasonable Doubt. With the arena calendar mysteriously blacked out during dates that are normally packed with events, fans are wondering if Hov is preparing a historic residency. But the bigger question is: in a New York that’s moving in a completely different musical direction, would a JAŸ-Z concert still hit the same way? Or has Hov ascended to such a different level of wealth and influence that he now feels more like a mogul than the street narrator who gave us Reasonable Doubt?

Next, the city is buzzing over a controversial political move from Mayor Zohran Mamdani, who recently appointed Harlem rapper Jim Jones as a New York City Marshal tied to NYCHA housing matters. The decision has many New Yorkers confused & joking considering Jim’s own history of reportedly dealing with studio evictions. Emo G breaks down the optics of rappers stepping into government roles and asks whether this is genuine community representation or political theater. The conversation also revisits the mayor’s previous move of bringing Bronx rapper Mysonne onto the transition team as a criminal justice adviser.

The episode also touches on a disturbing situation involving global superstar Rihanna, after a woman in her 30’s was taken into custody for allegedly firing multiple shots toward Rihanna’s Beverly Hills home from her vehicle. Authorities detained the suspect, and it remains unclear whether Rihanna or her family were even at the residence at the time. The story sparks a deeper conversation about celebrity safety and the darker side of fame.

And to close things out, Emo asks a quick question that can cause a spirited debate involving 2 First Lady’s in modern history; Michelle Obama & Melania Trump!

From hip-hop royalty to city hall decisions and celebrity headlines, Episode 20 is packed with perspective, humor, and real conversation. Tap

Opening Set List:

TO THE MOON- JNR CHOI & Sam Thompkins

Demons & Goblins- Fivio Foreign (feat. Meek Mill)

Apollo- Smoove’L

Foreigner- Pop Smoke (feat. A Boogie wit da Hoodie)

Transcript

SPEAKER_00 0:13

But we only ask them to come up for the show for three times every year. But they can come as many times they want to. A lot of men come every Saturday. But I know if I ask a brother to come five, six, seven, eight times, oh god damn.

SPEAKER_04 0:23

That's dumb funny, man.

SPEAKER_09 0:35

Talking to them.

SPEAKER_08 0:38

Pull up the twin motor. Cheep.

unknown 0:41

Cheer.

SPEAKER_08 0:45

Pull up the twin. Pull up the twin. Pull up the twin.

SPEAKER_07 1:04

Come for the two. Put off a start. Come set the moon. You find a son, yeah, come in the moon. If we go fight, all fine, so fine, might give out the wood. Come for the two. Put up a start. You come out, yeah, yeah, come in the moon. Maybe go fine, so fine, so fine, might give out the wood, put up the team on time.

SPEAKER_08 1:38

Put up the team on turn up. Put up the team.

SPEAKER_03 1:52

I need it to stall it. We see the options, squeezing it, okay.

unknown 1:59

Admit, admit, walk it. Gotta stay low, cause the pin target, garlic. Give me the money I need it to stall it.

SPEAKER_03 2:07

We see the open squeezing Leave it, target. Walk it, gotta stay low, cause the beat, talk it, scurry off, start it off, walk it, walk it, I'm about to walk it, ow, ooh, walk it, walk it. Took the money that they off it, uh took a brookie on me, follow it, uh she gon' suck me up regardless.

unknown 2:26

Uh I'm a different type of artist, take that walking money, call me.

SPEAKER_03 2:30

Two wild, dump with it, cry out, cry now, I just show I need money, I'm on it now. I listen, I need money, I'm on it now. Give me the money, I need to install it. Leave it, target, install it, let me, let me walk it. Gotta stay low, cause the pen.

unknown 2:57

Give me the money, I need to install it.

SPEAKER_03 3:01

We see the up and squeezing it. Leave with it, target, let me walk it. Stay low cause the pin. Okay.

SPEAKER_05 3:18

Let's let's come. If you're gonna be no man, in this bitch with this to me, and it's so sad. It's so much but I'm gonna fit with you, I'm like you touch me, just to get close to my name. I'm full of it, so I'm just fucking my bow. This bitch is a little bad if you bitch, and me, yeah. If you fucking full in the stupid act, stupid, I'ma get this stupid bitch, but it's nice, it will never end. I can't take a pill. All I do is win. This bitchy just find it on me now, man. I'm about to go try to fall the best front of these bitches. Be act the hot but they try to blaming these race bins. I'm really a sex I just fucking now about to lose great things. It's really a little nice. This gold magnificent right from babies and girls going crazy. I don't have a baby to night. You know we be bugging, you know we be bugging, you drop the floor, then we start a fight. You know we be bugging, you know we be bugging, you drop the floor, then we start a fight. Let's fucking nigga keep running you down, put your phone D and D and fame. And this bitch will be listening to me in this free time in this case line.

SPEAKER_02 4:33

But I'm gonna go to the baby, forward, for sure, people.

SPEAKER_04 6:04

Welcome back to 80 weights and convo. Oh man, so abruptly. I hate how that cuts off so abruptly. Welcome back to 80weights and convo the music podcast. For music fans, by music fans. I'm your man Emoji. And Tim's this morning, it's a solo ride. It's a solo mission, man. Shout out to uh Timp, man. But good morning, y'all. Good morning, good morning, top of the morning, top of the morning. It is episode 20, the Dubski people. Took us long enough. Took long enough, goddamn man. It took long enough, man. But we here in episode 20, man. Since I'm by myself, I ain't gonna be no monologue. I'm just gonna jump right into it. Let's get into it, man. So there's a rumor moving around the towns that the great one, Jay-Z, man, might be planning something major to celebrate the 30th anniversary of his 1996 day. Is that he may have possibly booked two full weeks at the Barclay Center. We're looking between the dates of June 9th and July 13th, which, you know, is blacked out. We have no idea why. That's a total of two weeks. Here's a quick clip I grabbed on IG from the marketing point guard at the marketing point guard, kind of like explaining what's going on.

SPEAKER_01 7:32

Is Jay-Z about to hit us with another Brooklyn residency? This year marks the 30th anniversary of Reasonable Doubt, and things are happening. First, we got Dead Presidents on streaming for the first time ever, and Rock Nation made a pretty big deal out of it. People really got in a bag and realized that in July, around the anniversary date of Reasonable Doubt, there's pretty much a blackout at Barclay Center. Jay-Z notoriously opened up Barclay Center with the run of eight sold out shows. He has a banner up in the arena, and it would be iconic for him to return there for the 30th anniversary and host another set of sold-out shows. And I'll take it one further. I think this is the year Jay-Z does the Super Bowl. If you look at the track record for the last couple performers, there's a little bit of a formula. You have a huge cultural moment, you do a big live stream, then you get the knob. Kendrick did it with the pop-out, Bad Bunny did it with his live stream of his Puerto Rico residency, and I think Jay-Z's gonna pull that same move for his Brooklyn residency. Oh man, I can hear him now. They gonna hate that one.

SPEAKER_04 8:30

Alright, yeah, I wouldn't tap into the whole Super Bowl and all that shit. But you know, now if you know, you know that's that's that's between June 9th and July 13th, that's that's pretty much the top of the summer. You know? So you know those dates being blacked out on the Barclays calendar is like counter kind of suspicious. Don't one would assume something is happening during those times. That building is usually busy during those times. Concerts, basketball games, events, something is always happening there. But when the calendar goes quiet like that, that usually means something big is being planned. And then Jay-Z just dropping the uh dead presence original verse, you know what I mean, changing his name, yeah, you know, just just just a whole lot of like just clues pointing towards that stuff. So let's be real for a second. If anybody could lock down Barclays Center for two weeks straight, it's Hovim. And we all know Hole's relationship with the Barclay Center since his establishment back in 2012. So I'm not putting nothing past this man, this man. The real question that I've been thinking about is this Would a Jay-Z concert still hit the same in 2026? Not because he's not legendary. We all know that man is golden. That conversation's already subtle. The man built one of the most iconic careers hip-hop has ever seen, so I d it ain't nothing towards his uh legacy. You know, somewhere from Marcy projects to boardrooms hustling the streets to being a b a a freaking billionaire, a mogul practically. So there's no debating his impact. But I'm talking about culturally. It's it's pretty obvious the city is different now. New York City clearly doesn't move the way it used to musically. Sound clearly shifted. You know, drill came in, then Jersey club influence started blending into that sound, and younger artists have comp have completely different inspirations at this point. And did I mention I believe, in my opinion, gentrification has a hand in this landscape as well, too. So, you know, the the generation that grew up on Reasonable Doubt is now in their late 30s, 40s, and even 50s. And these people got careers and or grandchildren, man. Like, they're not really tapped into the music scene no more, like, you know. And I'm assuming that. I'm not I'm not gonna say everybody's not listening to music, you know what I'm saying? But I'm saying for the most part, a lot of people are just generally focused on what they got going on in their lives, they're not really gonna pop out for stuff like that. So when we talk about a potential possible residency, two weeks of concerts of Jay-Z, the question then becomes who is the audience? Obviously, those people I mentioned, you know? But is it gonna be the nostalgic crowd that I mentioned who who who want to like relive that golden era? Or is this just Jay-Z's way of trying to like submit his legacy? Like in real time or some shit. Because this is the thing about Jay. The man don't he don't make moves unless it's like it makes absolute sense. From what I, you know, see from my perspective. He's not the type of artist or or person that needs the attention, he don't need it. He doesn't need promo runs, he don't need to do radio interviews or any interview for that matter. He don't he don't need viral moments. Like he can move and step on a stage anywhere he wants around the world, and it's gonna be a movie. But when he do those movies, it'd be intentional. There's always something behind it, you know what I mean? Like J and also celebrating Reasonable doubt is is a powerful moment, you know. But even with with all those moving parts that I mentioned, like his his confidence and his star power, the age in day one fans and and and and and the culture of the city obviously changing. Like, is he even capable of keeping himself a two weeks straight? Like he might be able to get away with it with like a show or two or maybe three, you know what I'm saying? I'm not gonna doubt Jay-Z, but two weeks straight. Now I'm I'm I'm dragging it because I'm not gonna he's not performing for fucking 14 days. Like, that's that's crazy. That's a it's a lot of days, like not too sure how much if and which I'm just spec I'm speculating right now. We like we nobody's sure what is the reasoning behind those two weeks being blacked out. But um, yeah, I don't know if he's capable of keeping it for two weeks straight. You know, Reasonable Doubt was undoubtedly a c you know a classic. That album wasn't just music, it was it was like street storytelling at a level that that hip hop hadn't really seen before. It was it was luxurious, but hood, it was intelligent but gritty, aspirational, but but but realistic. Like you can you can hear the hustle on every bar. If you were really about that life, I can see how like that really motivated you to to be bigger than just like a little corner pusher, you know, you know, you know back then when that I'm pretty sure when that album when he was making that album, Jay-Z wasn't a mogul yet. He was he was an underdog. You know, guy betting on himself when the industry wasn't ready to bet on him. I remember hearing stories about him and Dame Dash trying to like push Rockefeller onto like the major labels, nobody really wants to sign him or type of shit, you know what I mean? Thirty years later, I ain't even that's now that he's bigger than the culture that birthed him. I'll be honest with that. But you know, and that's where it gets complicated because sometimes when when uh artists reach a certain level of success, they almost become like these m mythological figures, like they're gods or something like that, like they're respected, but they're not necessarily relatable to to the people anymore. You know what I'm saying? Because they just on a on a pedestal that they're so high up. This man Hove is a billionaire, he married to like one of the greatest RB singers of all time, Beyonce. He owned pieces of companies, art collections, sports agencies, liquor brands. He don't he he doesn't feel like the same guy who was rapping about trying to make it out of Marcy anymore, you know? So if he if he does these hypothetical shows, these hypothetical shows, because like I said, we're speculating right here. I think the real magic would be if he leaned all the way into the nostalgia of reasonable doubt. Like he gotta lean all the way into it, not don't not do none of the the cool shit or or the performative billionaire shit. Like he really gotta lean into it. Like he gotta lean into it. Cause I feel like that would really sell even like this generation of of new music listeners and stuff like that. Cause I don't really see like I don't really see a bunch of Gen Z or Gen Alphas going to this to these shows like that. You know what I mean? Like and if they do, it won't I don't think it's gonna be like really genuine like that. Yeah, there's gonna be a few that probably heard a man's music, but then I don't think it'll be genuine, and I kind of he kind of deserves like some authentic listeners to like really, really, really enjoy and indulge in that moment because that's that's huge. They're like 30th anniversary. So Yeah, man, I don't know. I'm I I've I gotta like go on and on about this, but I I really feel like he should lean into the nostalgia. Like bring out the old producers, the the old flows, don't do nothing new. Bring out the storytelling, probably do some shit like like tell a story after each song. I don't know. Shit, maybe even past collabor bring out even past collaborative artists from that album. You know what I mean? Like go find them. I don't you know what I mean, just bring them out on stage. You give people the experience of what 1996 Brooklyn felt like. But if you're a diehard jigger fan and if you're celebrating Reasonable Doubt, that's not just a concert for you. That's like a time machine. You know. I hope that concert really does happen, you know, just speculation. So anyway, speaking of New York City, let's move to something that had the entire city scratching its head. Apparently, Zoram Mandani, who currently serves as our beloved mayor, has made a decision that's raising a lot of eyebrows. He appointed rapper Jim Jones as a New York City Marshal, specifically working with NYCHA housing situations. NYCHA. NYCHA is the New York City housing authority for those who do not live in New York City. And look, I'm not trying to be disrespectful here. Jim Jones is a Harlem legend in hip hop, diplomat records, the dipset movement, icy skull belts, cultural influence, all of that shit. You know what I mean? But let's be real. People are confused in the city, Jim. I ain't even gonna hold you. I'm confused. I don't know what the fuck is going on. Cause Jim Jones is, you know, has literally had made headlines over the past few months about alleged studio evictions himself and financial disputes himself. So it's like, so you know, the internet is immediately starting to ask the obvious question, like how is the man enforcing housing accountability we and he's been dealing with the eviction issues his damn self. And now again, because even that's speculation that might not even be, you know, telephone story. You know, a a lot of celebrities rent spaces and move studios and deal with landlord drama and all that stuff. It was never proven Jim was going through any troubles. His podcast was rap about it with uh fabulous Manon Davies still seemingly is being filmed and recorded in the space. As far as the politics behind all of this shit with Madame picking them, this decision feels more in my opinion, it feels more symbolic. It feels symbolic more than practical. I don't see how Jim can add any like genuine expertise to the to to the mayor with this job. I just think he's just there as like I don't want to say a mascot. I have not looked into the details of this job. You know what I'm saying? But I don't know. I feel like he's just gonna be more of the face of that department. I don't I haven't I don't see what the hell he can possibly do. This isn't the first time the mayor who's only been in office for a couple of months, has uh has brought uh rappers into the political conversation, neither. You know, besides quoting like rappers in his like speeches and shit like that. So during his uh transition team phase, he had rapper My son working as a criminal justice advisor. Now, My son actually has a long history of like activism and prison reform advocacy. Yet he also has a rap sheet for armed robbery and which he served seven years sentence for as well as that one at least connects more directly to policy and discussions, but does that make him the right man for the job? That's where people started asking whether uh well hell bullshit, I'm not even gonna say people, I'm gonna say myself. Now I'm starting to think whether New York politics is becoming too performative at this point. And and mind you, I said New York. I mean I mean I meant it as the whole state, not just the city. There's a lot of characters coming out of here. I'm not too sure what's going on. I thought we had healthy water. Like are we actually solving problems or are we just blending celebrity with governance? Just because the shit looked cool on social media or whatever. Just because it's like relatable to this, to this, you know, to these people day and age, in this day and age. I don't I don't I don't know. And listen, I understand the Argument from the other side too because I'm from that my damn self. And when I mean the other side, I mean like NYCHA apartments and shit like that. I'm from that side too. So I I get it, you know. And I'm pretty sure these hip hop artists themselves get it. They come from these same communities, they understand the struggles and NYCHA housing developments better than a lot of politicians sitting in offices ever will. Some of these rappers, I know they seen the eviction. More than certain they seen poverty. I'm more than certain they seen police interactions, and I'm more than certain they've been victims of this broken system. We all have, you know what I'm saying? I don't understand why the the the whole uh title of marshal of like kicking people out the crib is crazy. Like, I don't think it's gonna be his job. I think he's just an actual face verdict, because I don't I don't see that, like broy. You you came from that yourself. You understand how hard it gets with people in these neighborhoods, you know what I'm saying? So like I don't see how you can push for actually getting people out there whatever that's a whole nother conversation I guess could be a powerful tool. But and it can be, it can be because I I feel like you know, you can use music as a a sort of a a language to be able to communicate to to the people in this day and age. I mean I'm I'm pretty sure it's been like that for a while, but I think I feel like now it kind of be more relatable because of how much power is in hip-hop and influence is in hip hop and all that stuff. So but I feel like the credibility has to match the responsibility, and that's that's all I'm asking. Like it has to be genuine, you know what I'm saying? Like you like you really have to like let's not let's not let it be performative, you know, like really use your influence like to you know just just to just to push you know for for for change for better and all that stuff. Yeah, I I really feel like credibility gotta match responsibility. A pointing somebody to a position connected to the housing authority. People expect that person to like represent stability. Like I said, I I've used to live in housing a long time ago, long, long, long time ago. And the projects are a community within fucked up neighborhood, you know what I'm saying? And and these builders themselves, most project builders are in like the most disgusting state, like the most disgusting conditions, and and I'm not gonna really get into all the specific like the specifics and and and and the politics behind shit, but like I feel like the people need stability and in in in those situations. They need they need somebody just come in, regulate shit. It's so many problems, but that's also another conversation that I can I can name from my experiences growing up in the projects. I'm I talk about anything from like garbage, like trash issues to mice and rats and stuff like that of that nature. Parks could be more clean. I'm pretty sure most projects, for the most part, are their NYC employees, they do what they can, you know what I'm saying? But like, I don't know. I feel like they all could be better. I'm going off on the tangent right now. I'm so sorry. But you know, these people need stability. Um Yeah, because if you're gonna point somebody in that position, like they really gotta have to do that that job, you know what I'm saying? Not just you don't you don't need a goddamn puppet. You don't need a puppet. Look at New Yorkers, we're we're we're brutally honest. We're gonna let your ass know. You know what I'm saying? Like, we're gonna let you know. If something don't if something don't make no sense, it's tomato tomato, man. We going we're going to clown it immediately. I promise you that. So right now the city is you know is split between two people, two different people saying one is this is community representation. You're getting Jim Jones, okay. He's on board, he's he's he's pushing that, whatever, whatever. And others are probably saying this is political theater. And I feel like I'm I'm more on that side, my damn self. Like, let's stop with the performative politics shit, man. This is this is it's corny. Like, let's really get some fucking work done. But you know, time will tell which one it actually is. So, right now, the ball is in the oldest YN's hands. So hopefully, all this shit is actually genuine. Real quick, now let's uh shift gears to something that's honestly just as disturbing. It's just really disturbing. Recently, a woman in her 30s was taken into custody after allegedly firing multiple shots at the Beverly Hills home of singer Rihanna. Police reports say that the suspect fired multiple shots from a vehicle outside the property. Even one bullet managed to hit the wall- um a wall on the house. At the time this news was reported, it wasn't sure if Rihanna and her family was even home. But apparently, she was home at the time of the shooting. So, thank God for Rihanna's safety. You know, that's that's that's very unfortunate. I have no idea if it was like, you know, somebody that hated her or you know, just a fan that was losing their goddamn marbles or something like that. But thank God that like nobody got hurt, especially Rihanna, you know what I'm saying? Or if the kids were in some, oh people would have lost their shit without getting that album. That's not funny. It's not it's not funny. But um, sis situations like this highlight something that celebrities deal with on a consistent basis, man. Like dangerous levels of obsession from strangers, indoor fans. You know, Rihanna, she she ain't a pop star anymore, man. She's a she's like a a fucking a global brand in music, fashion, beauty, like the woman built an empire. With that level of visibility comes obviously a a weird side of fame that people don't always talk about, right? Like there are these individuals out there who develop these I seen a term called paral parasocial relationships with celebrities. I'm not even gonna define that. Look that up. Um parasocial relationships. They feel like they know them, like they're connected to them somehow, like, but it's all one-sided and it's delusional, you know. So that's pretty much the most I'm gonna give you right there. And sometimes when those illusions break, it can turn into anger or instability. Hence somebody blicking at your crib for no goddamn apparent reason, unprovoked. It's crazy. Yeah, we've seen it happen across the entertainment industry, though. Fans showing up at celebrities' houses, fans making threats online, fans crossing the lines that should never be crossed. And and what makes Rihanna's situation even more serious now is that she has a family. She's a mother. You know, she has children. So when somebody starts firing shots near a celebrity home, it's not it's not just about the superstar anymore. You know, there are innocent lives potentially at risk. But thankfully, law enforcement detained the suspect very quickly. Expeditiously might I add. But it does raise a bigger conversation about the security and privacy in celebrity culture. Because social media and technology, because I'm not gonna just blame social media and technology, has made it very easy, like easier than ever for people to track where public figures live, travel, eat, shop, everything. And and also I'm gonna blame them, I'm gonna blame celebrities themselves, because if you're very aware that you're a public figure of importance, you know what I mean? Like you might want to be easy on like what you post or like or post it, but post that at a different time. They'll post it in real time. That's the craziest shit to do. You know, it's it's no more mystique anymore. You know, none. I'm gonna get right into it. There was a time you want to know something about your favorite celebrity, anybody from back in the day. You could have been like fucking, it could have been like Will Smith or or or or or the Backstreet Boys. I don't know what the fuck, like whatever. You couldn't go to you couldn't grab your phone, type in at Will Smith, and find out what the man was doing. No, you just had to wait it out if the man like says some shit in the magazine or or or or you caught his new movie or his new album, whatever the f like yo, there was mystique. You never knew what these people were doing all the time at all. At all. And that that gave it a a sense of like that felt like really celebrity to me. You don't see or hear about them too often, and then when you do, it was just like, oh shit. Like, now I feel like nowadays people are just so quick to like if they see a celebrity, it's quick to pull out a phone, like there's no like shock factor or nothing like that no more. Like, it's just it's regular to them now. It's so corny. Privacy is practically a thing of the past, man. And you know, sometimes that can create dangerous consequences, you know. So at the end of the day, people who are obsessed, celebrities are still human beings. Did you know that? Yeah, that's that's crazy. They believe just like you do. It's crazy. So they deserve safety the same way anybody else does. And privacy. Celebrities, stop posting every goddamn move. You know what I mean? Or or or or put that shit on a delay. So you know, so hopefully this situation it it it gets handled properly. And thank you, God, that nobody was harmed. Yeah, listen, man. Hip hop started as a voice for marginalized communities. It was street culture, party culture, storytelling culture. Now it touches everything. Literally everything. Politics, billion-dollar industries, global influence, like you can't even deny hip hop is not like that shit is everywhere. So in my opinion, the more powerful the culture becomes, the more the more complicated it gets. Right? Because once money, politics, who and what's authentic, and and and who or what is and and who is just there to just spectate and and and and just like just be leeches, you know, like those those lines start to blur. And that's where the conversations like this matter. So, you know, you know, we'll all watch hip hop evolve in real time. I'm not too sure if I make any sense, but you'll get it out there if you keep listening to it. But we'll watch hip hop evolve in real time. You know, some moments are gonna be legendary, some moments are gonna be confusing, and some moments are gonna make you sit back and say, what the fuck is going on? And that's the beauty of this culture, man. You know, it's it's beautiful, it's it's messy, it's unpredictable, and it never stops moving, man. Alright.

SPEAKER_06 35:16

We invite you to something epic, you know? Oh, by the way, we hustle out of a sense of hopelessness.

SPEAKER_04 35:25

RIP to the late, great, notorious BIG, man. It's his birthday.

SPEAKER_06 35:31

Sort of like the things we accustomed to. We fear we have nothing to lose. Everything that we all for you. Well, we all five lives. What do you bring to the table? I've got the four late.

SPEAKER_04 36:40

Yo, I was just watching the Millennium documentary, and two things I noticed, right? First, the doc was filmed like a literal movie. And then I seen that the rush shower director, uh Ret Retna was in charge of the doc. So that clears that up. And second, the first lady is fly as hell. I ain't never paid attention to uh Melania like that, man. I try to stay away from politics, man. But which leads me to ask you guys this question, right? And please don't be biased and too politically charged up in my conversation. Cause I don't give a fuck about none of that shit, man. Believe me. Let's keep this fun. Who is the most fashion forward first lady? Michelle Obama or Melania Trump. Do your do your Googles first before you, you know what I mean, start pointing your fingers. They they both got a different level of fly. But do your Googles first. Tally it up with the fits. In your own opinion. Please don't be biased, y'all know what I mean. Be nice. Be nice. And when you come up with your answer, leave a comment on IG under the 808's latest post with your answer and why you think that lady is fly, the fly or means even righteous minds go to the floor. Alright, alright, fam, that's a wrap on this ride. So please do remember to keep your heads up out there and your head clear in here. I'ma skip all that blah blah blah blah blah blah blah blah blah blah blah blah blah. This is 808's in Cavo. I'm emoji you can call Monsters Temp. Love your girl, signing off. Catch you on the next frequency. Be sure to like, comment, and subscribe as well on all platforms, YouTube and IG. Come out of here, man.